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just hangin’ out

“yeah, i’ll hound you. i’ll hound you so good, baby”
tumblropenarts:

“Composition Blue” by David Ernst

kelvinatorx:

harry uzoka.

*_*

(via sexgenderbody)

Urban interventions transform city structures (by R1)

(Source: from89, via littleleathertoygiraffe)

getting JUICED at my grandpa’s father’s day lunch txt it :*

there’s nothing more fun than flirting~

amorphism:

So I went to get my hair done the other day at a hair salon and I decided to look in some magazines. What I found was pretty gross. Amanda Bynes has been posting some pretty vulgar things on twitter, but that isn’t the point here. The magazine showed two of her tweets, one to Courtney Love, calling her a crack whore and the other to Drake saying she wants him to “murder her vagina”. This magazine decided that to call someone a whore is totally acceptable and didn’t blur out that word, instead they blurred out the word vagina. 

So according to In Touch magazine it is completely okay to call a woman a whore, but the word vagina is not acceptable, because of course vaginas are just disgusting and insulting to anyone.

so disappointed 

africa
does not need your tears
or
your prayers
or
your money,
or
your t-shirts
or
your hands ever so lovingly placed
on her buttocks.
your mouth at her breasts.
she wants you to stop pissing in her face
and
calling it water.
she wants you to leave.
she is the cradle of civilization
and
you hate that.
but,
one day
you will reap
what
you have sown.
by

why i will never acknowledge a white person as african/ missionary trips are evil, nayyirah waheed (via nayyirahwaheed)

what an amazing poem

(via badass-bharat-deafmuslimpunkstar)

(via jungl-cunt)

#bluehairedmermaidheartthrob

hyperallergic:

More landscape images from the Democratic Republic of the Congo as part of Richard Mosse’s “The Enclave” (2013) video installation at the 55th Venice Biennale.

(via littleleathertoygiraffe)

likeafieldmouse:

Zadok Ben-David - Blackfield (2006-9) - Hand-painted steel and sand

Blackfield is a space-specific floor installation containing steel etched flowers deriving from 19th-century Victorian encyclopedias. The work reflects over notions such as perception and perspective, and in its delicate modesty the installation brings up powerful questions regarding life and death.”

(via littleleathertoygiraffe)